The film enhance the original Script Essay Example for Free

The film enhance the original Script Essay All those who are inquired by the Inspector have a distinct dramatic pause, when asked a particularly gruelling question. The script does not direct the characters to wait before answering or attempting to answer the question, nor does it notify the reader of this. The introduction of the dramatic pause, is a welcome one by me, personally. The pause shows a hesitation within the characters and signifies how vulnerable they actually are. The pause symbolises time to allow the individual to think before he/she speaks, which was something that not one of the scripts characters did, other than Sheila who showed some real maturity. The maturity was also highlighted in the film, with the way she spoke and acted; her expressions were particularly impressive. The script makes out Sheila to be a naive person at the beginning, through the way she does what ever she is told, she starts off as a very gullible character but progresses to be the most intelligent out of the group. Sheila is the first and only person to realise how much the Inspector knows, and all he is doing is forcing the family to admit their errors. Priestly makes this known to the reader in the best possible way that is as sudden as he could possibly construct it. When Sheila did realise all that the Inspector was about, an outburst of music was played where the pitch was high, to signify a kind of brain wave. Another short section of high-pitched tones is played to begin the flashback for Sheila that I think is an ingenious idea. The music for the flashback is a brilliant addition to the film as it alerts the viewer that there is a change in time i. e. / backwards, a flashback. The zoom in technique is put to use yet again, which emphasises the slight grin on Evas little face, when young Sheila has a tantrum. The zoom in puts all focus on Evas smirk, which is a little, rude but made the situation even more offensive. The sharp music is attached to the scene making the situation seem worse than it already is, and with this music being played the camera which is still in the same position, (zoomed in on Eva) stays there whilst you see an unhappy Sheila storm out of the shop a distressed customer. This is a clever placement of props and filming instruments to capture this dramatic scene in the successful manner that it was shown in the film. The book description was adequate but no way near the quality of the film. The Inspector is shown purposely peeking at the time, both on his watch and the main clock on top of the mantelpiece. This constant keeping of time is important to the film because it highlights the significance of time. The Inspector has to make sure he has interrogated all of the members in the household and escaped before the real Inspector arrives, thus catching him out as a hoax. The script has not a possibility of outlining this importance of time within the text, as the only possible way is by printing in writing the Inspectors every movement, which would be very burdensome. Or the other way would be to write the script with the Inspector asking questions concerning the time, this proposition would not fit in with the current text and would seem very much out of place. Therefore the film has an obvious advantage with the Mise en scene and uses it to its full potential. The shot is mostly medium with an old fashioned sharp cut, this shows the films age but the editing is basic continuity editing. The basic continuity editing keeps the film flowing, but indicates how the film could be improved even more. The fading to and from flashbacks is a good introduction and clearly signifies when a flashback has occurred. The only other time the fading technique is used is when the film begins and ends. These two fades are extremely slow, to let the viewer take in what is happening. The first instance the fade in, the importance is on the table full of food, stressing the familys wealth and riches. The ending of the film allows the observer to reflect on the earlier goings on. The director includes great amounts of deep focus views and depse of field. This allows the viewer to observe a good selection of the Mise en scene on show. The Director of the film An Inspector Calls placed Sheila and Gerald together in the majority of the screen shots, most probably to symbolise how inseparable they were, but as the film moved on the two moved further from each other progressively. Priestley is successful in his method of showing the two peoples togetherness this was done in the style that he used, where Sheila and Gerald normally talk one after the other, owed to the fact they were regularly defending each other. This method gradually moved away as the script progressed too. The props are used to great effect in the film as I have already mentioned, they direct the viewer to many thoughts and dictate the play to a certain extent. The props give the film such an edge it is quite unbelievable. There are numerous props used the main ones being a decanter or drink (belonging to Eric) which indicates his horrific drinking problems, a clock on the mantelpiece which indicates time and a fireplace and dimmed lights to give the impression of a romantic scene. It is not only the props that give the film the more successful outlook though, the way that they are used is just as important. The most evident good use of a prop is where Mr. Birling fetches the Inspectors hat, then passes it to him in an attempt to push the annoying interrogator away. A prominent aspect that improves the script of An Inspector Calls is the head movement and more precisely the eye movement of the actors/actress. The Director made sure that whoever was in control always acted in control, the Inspector used two different styles, which indicated he was in control. One was staring into the eyes of his victim, pressurising them and the other was to look away whilst still talking giving the impression he was calm and collected, but still in complete command. All this clever directing enhances the script in a immense way. A good example of the head movement is when Mrs. Birling hears her own sons confession to drink abuse and she leans her head back rolls her eyes and looks towards the heaven for some escape or help. This expression of disappointment is so very effective, as is the scripts description to an extent but it can not rival the real life display. The camera is used in a variety of ways too, to demonstrate different emotions and atmospheres. The most potent of the batch is the look up/down technique, that can either make the person in conjunction with the camera appear gigantic, powerful looking, or tiny, weak and useless. A good example for each technique is; after Mrs. Birling had seen the photo of Eva/Daisy and felt rather foolish the camera then peered up at the Inspector therefore making him seem overpowering. The other example was at the other end of the spectrum when the camera peered gazingly downwards on Eva, when she was stood in front of Mrs. Birling and her help committee, making Eva seem helpless and weak which is true as her plea was unfairly overlooked and overruled. There are many aspects of the film version than enhance the script of An Inspector Calls. The bulk of the enhancements are made either throughout the film or at the latter stages in the film and only a minority towards the beginning. This leaves a good impression in the viewers mind. The fact that the Inspector is psychic adds mystery to the script, which is a good thing as mystery is the main genre of the script. The music and sound effects enhance the script without question throughout the film. The dramatic feel as sudden sharp extracts of tunes are blended in to the play is effective to say the least. The panning and movement of the camera, is extravagant and possibly a little overdone, other than the zooming in for facial expression. The expressions told the observer a lot where otherwise, it would be difficult to explain. The work by the Director that deserves to be applauded the most though is his use of props, the quantity was perfect as was the way in which they were used. The end result of the film is ver contrary to the beginning. A new mature partnership has formed in the name of Sheila and Eric, the new generation. The responsibility and maturity shines through the brother and sister and the new togetherness is made prominent by wide pan shots of the pair in every frame, nearing the end of the film. The penultimate shot of the two together focuses at the two characters heads, which I believe, is to show how the two have improved displaying how much they have grown up. The guard for the family was without doubt Sheila, hence why she was in the majority of the frames nearing the finish. The younger generation learnt a lot more from the concerning experience than the elder generation, with Gerald trapped in the middle of the two. There were a few differences between the script and the film, but the few that there were, were appropriate and only added to the brilliance of the play. The smallest and most insignificant difference was the name of the Inspector, in the script it was, Inspector Goole and in the film it was, Inspector Poole. All that the difference in the names could suggest is that the name Goole could be questioned and raise suspicion of the Inspector being a supernatural human therefor the Director ditched the G for a P. The most dramatic difference between the two sets of media is the ending. The script does not entail Birling verbally assaulting the Inspector whereas the film does. This verbal abuse given by Birling is more accurate to how someone, who had gone through that ordeal, would act. The scene also adds some suspense to the play which is lacked a little throughout, this being a big difference from the script, which is teeming with suspense. The film contains suspense at the very end, as the viewer awaits the inevitable entrance of the real Inspect where the nightmare will repeat itself, but the phone rings before hand and the suspense kicks in again as the viewer eagerly wants to know who is on the phone. The person who on the phone to Birling is from the infirmary, notifying the household of a suicide just being committed proving the Inspector to be psychic. The one complaint that I would have about the film of An Inspector Calls is the acting of Eric, in one scene he is his expected squiffy self, then in the next scene he has suddenly recovered and is sober. I am not sure whether this is a fault of the Director or the actor but either way I believe it was an error and not very effective. Probably the most important aspect to the film over the script was the introduction Sheila looking at herself in the mirror, early on. This is important to the play/film as the whole story is in regard to looking within yourself, and admiring and being disappointed with what you see, in this case it was being very disappointed. This incident occurred moments before her explanation on her error. Other than then few slight criticisms, I have no qualms of the script nor the film, and they were both a joy to read and watch respectively.

My Best Friend :: essays research papers

Walt Whitman was an American poet, who was born in 1819 and died in 1892 whose work boldly asserts the worth of the individual and the oneness of all humanity. Whitman's defiant break with traditional poetic concerns and style exerted a major influence on American thought and literature. Born near Huntington, New York, Whitman was the second of a family of nine children. His father was a carpenter. The poet had a particularly close relationship with his mother. When Whitman was four years old, his family moved to Brooklyn, New York, where he attended public school for six years before being apprenticed to a printer. Two years later he went to New York City to work in printing shops. He returned to Long Island in 1835 and taught in country schools. In 1838 and 1839 Whitman edited a newspaper, the Long-Islander, in Huntington. When he became bored with the job, he went back to New York City to work as a printer and journalist. There he enjoyed the theater, the opera, and-always an omn ivorous reader the libraries. Whitman wrote poems and stories for popular magazines and made political speeches, for which Tammany Hall Democrats rewarded him with the editorship of various short-lived newspapers. For two years Whitman edited the influential Brooklyn Eagle, but he lost his position for supporting the Free-Soil party. After a brief sojourn in New Orleans, Louisiana, he returned to Brooklyn, where he tried to start a Free-Soil newspaper. After several years spent at various jobs, including building houses, Whitman began writing a new kind of poetry and thereafter neglected business. My Best Friend My best friend has gone away. He left this world, left me behind. Such sorrow, such pain-- hurts so much to think of him. My sorrow's too great to be eased by tears--tears for the one whom I've loved so dearly. Never again shall he lay beside me, listening as I play the piano. Never again will he roam the backyard or give me comfort when I am in need. When he left, it so seems that part of me has left with him. Every night I cannot slepp. I always find myself outside. I watch the stars as they glow brightly, knowing he is watching over me. He's gone to rest. He is at peace. Yet why did he leave when I needed him the most? As a teen, life's hard for me.

Survivor: Philippines – an Analysis Using Communication Theory

â€Å"SURVIVOR: PHILIPPINES†: An Analysis of the CBS Program Using Three Theories of Communication Sally Annabella Communications 307 Dr. Debbie Way November 2012 No one has died. Some have been medevacked. It’s a rough game. The CBS television series Survivor is one of the first ‘reality tv’ shows and is now in its 12th year. It features eighteen contestants striving to â€Å"Outwit, Outplay and Outlast† each other to win one million dollars by the end of the season.While it is important to be in good physical shape (the challenges are just that, physically challenging) it is imperative to have impeccable communication skills. In watching episodes of the current season, Survivor: Philippines, I have noticed: Communication Privacy Management Theory, Message Design Logics, Uncertainty Reduction Theory, Politeness Theory, and Social Exchange Theory. While this paper only requires three theories to be mentioned, I will show that all five are tied togeth er.Each season Survivor is filmed over a period of 39 days on a different remote island. The contestants are divided into two or three tribes that start out competing against each other in challenges for a) rewards such as fishing supplies or an elegant feast and b) the coveted Immunity Idol, a token that means they will have the chance to play another three days. The tribe that does not win the idol will have to go to Tribal Council (an event that happens generally every three days) and risk being voted out of the game, hence no chance of winning the million dollar prize.About half-way through the season, the tribes merge into one, each player now plays for himself, and the remaining challenges are centered around winning Individual Immunity. All of the remaining players now go to Tribal Council and vote out one player. These ousted players now form the Jury, and they will be the ones to ultimately vote at the end of the game (when there are three remaining players) on who will tak e home the million dollars. Communication Privacy Management Theory, as stated by Dainton and Zelley on page 68, has four main principles. The one most applicable in Survivor involves boundaries.A boundary linkage is formed when two or more parties share information (Dainton and Zelley p. 71) with each owner of the information being responsible for its privacy. Inevitably, when one player finds a hidden Immunity Idol, they cannot seem to keep the information to themselves. They feel they must entrust someone else with this extremely private information and this almost certainly is their undoing. Dainton and Zelley show on page 72 that Petronio in 2002 states that boundary turbulence occurs when the rules for privacy management are not clear.This statement implies that boundary turbulence is unintentional. In watching Survivor, I found that boundary turbulence could also be intentional. In one instance, Player A told Player B she would not tell anyone that he (Player B) was in posses sion of a hidden immunity idol, yet she did tell someone else (Player C. ) Player C then confronted Player B, causing boundary turbulence with Player A. In another instance (and a different set of players), Players A and B together found a clue to a hidden immunity idol. They promised each other not to tell anyone else.Player A then told Player C. Player C seized an opportunity to plant the clue in Player B’s possessions, making it appear to Player A that Player B had betrayed her, thus creating boundary turbulence. In Message Design Logics Theory, there are three types of communication, expressive (p. 35), conventional and rhetorical (p. 36). Expressive is a sender-focused pattern of communication, concerned primarily with self-expression. Some players do not seem to have a ? lter and allow their thoughts to spew out, whether it be bene? cial to them or not. Conventional operates by rules.In one episode, others in the group let one player know that he was overstepping the li ne of acceptable behavior when he was snuggling with another particular contestant. They pointed out to him that it appeared to the rest of the group that he was in a strong alliance with her. He subsequently stopped sleeping next to her to show the group his allegiance was not tied to her. The more successful players of Survivor communicate in the rhetorical fashion. These individuals â€Å"view communication as a powerful tool used to create situations and negotiate multiple goals (p. 6). † They pay close attention to what others are communicating in order to be better able to understand their point of view, and therefore what they might be thinking beyond what they are saying. Those who use this type of communication are seeking a balance between their goals and keeping harmony with the receiver(s), even to the point of protecting another? s feelings (such as by not embarrassing them. ) They want to maintain a good working relationship with the other person in the future. Survivor contestants experience on a daily basis Uncertainty Reduction Theory.Dainton and Zelley point out on page 43 that, according to Berger and Calabrese (1975), humans regularly experience uncertainty, we do not like the feeling, and we use communication to reduce our uncertainties. In the game of Survivor, the players are in a constant state of uncertainty. They know that, by design of the game, they and their co-competitors all have the same goal. And only one of them is going to reach it. They go into the game knowing they are going to form friendships and they are going to have to lie and accept being lied to.One player stated that nobody wants to betray anybody else and nobody wants to feel betrayed. Politeness Theory also comes into play. Dainton and Zelley show on page 60 that if someone has more power or prestige than you, you will be more polite to them. This theory also states that if what you have to say may hurt the receiver of the information, you will be more poli te. Survivor is all about who has the power. The players all want to be the one with the power, whether they want to let the other players know or not.To tie it to Message Design Logics, if they are a rhetorical communicator, they will be more polite to the one perceived as having the power. The expressive communicator, however, will not be so aware of the need to be polite. Another theory that needs to be mentioned is Social Exchange Theory. Dainton and Zelley on page 61 show that Thibaut and Kelley in 1959 maintained that humans, by nature, are sel? sh. We determine the relationships we keep or let go by weighing the bene? ts versus the costs of these relationships. In Survivor, the players are continually assessing their relationships with each ther, strategizing which relationships will thrive and which will be detrimental to their ultimate goal of making it all 39 days and to the million dollar prize. The CBS television show Survivor is a wealth of examples of communication the ories in action. A contestant cannot possibly make it to the end and win the prize of one million dollars without being an exceptional communicator. This means not only being able to convey one’s own information (expressive Message Design Logics), but also being able to assess how his/her information is being interpreted (rhetorical Message Design Logics. They also need to be able to read the others that are communicating to them, and determine whether the information being portrayed is truthful or not. While contestants have had to be medevacked for physical issues, they have yet to be involuntarily removed from the game for lack of communication skills. References Dainton, M. , & Zelley, E. D. (2011). Applying communication theory for professional life: A practical introduction (2nd ed. ). Thousand Oaks, CA: Sage. Website: CBS Survivor. http://www. cbs. com/shows/survivor/

Jfk His Life and Legacy Essay - 2127 Words

JFK: His Life and Legacy On November 22, 1963, while being driven through the streets of Dallas, Texas, in his open car, President John F. Kennedy was shot dead, apparently by the lone gunman, Lee Harvey Oswald. The world had not only lost a common man, but a great leader of men. From his heroic actions in World War II to his presidency, making the decisions to avert possible nuclear conflict with world superpowers, greatness can be seen. Kennedy also found the time to author several best-selling novels from his experiences . His symbolic figure represented all the charm, vigor and optimism of youth as he led a nation into a new era of prosperity. From his birth into the powerful and influential Kennedy clan, much was to†¦show more content†¦Kennedy saw action in the form of night patrols and participated in enemy bombings. On August 1, 1943, during a routine night patrol, a Japanese destroyer collided in the darkness with Kennedys craft and the PT 109 was sunk. Through superhuman effort, the injured Kennedy heroically swam back and forth rescuing his wounded crew. Two were killed in the crash. The injury had once again aggravated his back. Still, Kennedy pushed on swimming from island to island in the South Pacific hoping for a patrol to come by. The lieutenant had no idea he had been in the water for eight hours. Finally, an island was spotted that could provided cover from Japanese planes. With no edible plants or water, Kennedy realized that he and the crew must move on. The next day, he once again attempted to search for rescue. After treading water for hours, the lieutenant was forced to admit no patrol boats were coming. He turned back for the island but was swept away by a powerful current. Kennedy collapsed on an island and slept. He recovered enough energy to return to the island and gathered the crew to move to another island in search of food. JFK was now desperate enough to seek help from natives on a Japanese controlled island. After making contact with the natives, Kennedy persuaded the natives to deliver a message written on the back of a coconut shell to allied forces. The coconutShow MoreRelatedKameron Harris. Mrs. Thompson. Hist 102-10. 2 May 2017.824 Words   |  4 PagesKameron Harris Mrs. Thompson HIST 102-10 2 May 2017 Conspiracy Behind the Legacy Abraham Lincoln and John F. Kennedy were two America’s greatest presidents. Many know Abraham Lincoln as the 16th President of America, face of US currency such as the bronze penny and five-dollar bill, and the President who freed the slaves. JFK was the 35th President of America, household favorite, and the President who saved the world from nuclear destruction. But deep inside the walls of the White House, the twoRead More The Political Legacy of President John F. Kennedy Essay examples1626 Words   |  7 PagesThe Political Legacy of President John F. Kennedy There is something about John F. Kennedy. 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Owen is a series of reflections of people who knew and admired John F. Kennedy. Most people in the book discuss where they were the day of his assassination, their reaction, and how it affected everything and everyone around them. Others speak about what kind of leader Kennedy was, the legacy he left behind, and how when he died the country was never the same. Owen writes about people who once worked